(left to right) Jerry Goodman, Stuff Smith, Regina Carter (continued from part 2) Jean-Luc Ponty, like Stephane Grappelli before him, was something of a teen prodigy among French violinists. As early as 1960, Ponty was wowing his countrymen with his biting, complex, hard bop lines, and by the late 1960’s, he had garnered international attention. […]
Like fans of Kevin Bacon, we’re fascinated by odd relationships, familial and otherwise. Not necessarily the truly strange ones, like the estimate that 8% of all Asians living today are descendants of Genghis Khan. Say what? Apparently, it’s so, but we’re not sure they asked everyone involved for proof. Talk about the wrath of Khan! […]
We love movies. Hell, we love movies almost as much as we love music. But unlike creative American forms such as jazz, rock and country, movies are no more dead or alive today than they’ve ever been, which bodes well for cinema’s future. Or sounds its death knell. Whatever. We love ’em regardless. Combining these […]
We threatened to continue this diatribe, and so we will. Our contention is that creative American music all seemed to die at roughly the same time around 1980. We don’t mean that it disappeared. We simply mean that genres like jazz, country and rock all stopped evolving and either became repertory, classical forms, like jazz, […]
We mentioned in our last post that individual style, wherein a musician’s general sound is so unique and recognizable as to be unmistakably his alone, is a dead commodity in modern American music. We went on to say that one of the most fruitful periods and environments for this sort of individuality was that transitional […]