(left to right) Joe Venuti; a couple of fair fiddlers, Stephane Grappelli and Yehudi Menuhin; Frankie and Johnnie: Frank Zappa and Jean-Luc Ponty (continued from part 1) It wasn’t until the very late 1920’s that the first real jazz violinist showed up on records and—in a twist—he turned out to the very talented—but also very […]
From left to right (above): Sidney Bechet’s soprano sax, Louis Armstrong’s first cornet, Lester Young’s tenor, Roy Eldridge’s trumpet Aficionados of practically anything enjoy the arcane, the ephemeral, the trivial, the obscure and even the bizarre about whatever it is that captures their devotion. Students of “serious” history are no exception. And they certainly don’t […]
We love movies. Hell, we love movies almost as much as we love music. But unlike creative American forms such as jazz, rock and country, movies are no more dead or alive today than they’ve ever been, which bodes well for cinema’s future. Or sounds its death knell. Whatever. We love ’em regardless. Combining these […]
We threatened to continue this diatribe, and so we will. Our contention is that creative American music all seemed to die at roughly the same time around 1980. We don’t mean that it disappeared. We simply mean that genres like jazz, country and rock all stopped evolving and either became repertory, classical forms, like jazz, […]
In our last few posts, we’ve begun a lament about the demise of individuality and easily recognized styles among musicians. Here’s a suggested playlist to support what we’ve discussed thus far. As usual, hit the song titles, which are Amazon links, to listen to a sample, and to purchase the songs individually. We mentioned Count […]
To an attentive jazz listener, and one who’s into arcane and archaic music, the tenor saxophone playing of Ben Webster is immediately recognizable, and sounds nothing like that of Lester Young. Or Sonny Rollins. Or even like a less-ambitious player such as King Curtis. Similarly, none of the these players sound like any of the […]