(left to right) Jerry Goodman, Stuff Smith, Regina Carter (continued from part 2) Jean-Luc Ponty, like Stephane Grappelli before him, was something of a teen prodigy among French violinists. As early as 1960, Ponty was wowing his countrymen with his biting, complex, hard bop lines, and by the late 1960’s, he had garnered international attention. […]
We’ve created a playlist to support the contentions we’ve made in our four-part post, “With apologies to Miles Davis“. As with all of our listening suggestions, you can click on the song title and you’ll be taken to an Amazon.com page where you can either listen to a sample, buy the individual song as an […]
Miles Davis’ great 1960’s quintet at Newport: (left to right) Wayne Shorter, Ron Carter, Miles, Tony Williams. (continued from part 3) The advances made in vertical improvisation exemplified by John Coltrane’s 1960 recording Giant Steps, the modal innovations that dominated jazz in the early to mid-1960s, and the move to free, atonal improvisation that Coltrane […]
Miles Davis in the studio recording the 1959 album “Kind of Blue”. From left: John Coltrane, Cannonball Adderley, Miles, Bill Evans. (continued from part 2) By the early ’50’s, and with the “Birth of the Cool” in his rear view mirror, Miles Davis descended into a five-year battle with heroin that not only dramatically reduced […]
(left) Charlie Parker and Miles Davis, 1947 and (right) Lennie Tristano’s band, about 1949. (continued from part 1) In 1948, Miles Davis began jamming with baritone saxophonist and arranger Gerry Mulligan, just freed from the Gene Krupa band, alto player Lee Konitz, late of Claude Thornhill’s Orchestra, and Thornhill’s arranger, Gil Evans. They formed the […]
(left) Billy Eckstine’s band, about 1945; (right) Miles, Lee Konitz and Gerry Mulligan, 1949. Miles Davis is a name that still carries some weight outside jazz circles, and for folks of a certain age, he represents styles and raisons d’etre that transcend the limited cultural impact of improvised music. For those who actually remember Miles […]
While Civil War battlefields, inns where our founding fathers slept and birthplaces of 19th century billionaires tend to be the most visited historical sites in America, there is another, less known world of obscure and arcane monuments out there. From the violent, the sad and the paranormal to the simply dull, there seem to be […]
(left to right) Ornette Coleman, Stan Kenton, Miles Davis, Keith Jarrett. While scanning the web-o-verse for jazz comments and opinion, we kept running across phrases like “Coltrane never really impressed me”, “Miles is way overrated” and “Ornette simply couldn’t play”. While most comments like these were anonymous ones in forums or comment sections, there are […]
From left to right (above): Sidney Bechet’s soprano sax, Louis Armstrong’s first cornet, Lester Young’s tenor, Roy Eldridge’s trumpet Aficionados of practically anything enjoy the arcane, the ephemeral, the trivial, the obscure and even the bizarre about whatever it is that captures their devotion. Students of “serious” history are no exception. And they certainly don’t […]