The scene inside Ernest Tubb’s Record Shop, on Broadway in downtown Nashville. At any given moment, you’ll find local musicians jamming or pitching their latest tunes on a stage at the back of the store. Dead Like Jazz has no designs on competing with Frommer’s, Lonely Planet or even Trip Advisor when it comes to […]
Bud Powell, the pianist most identified with bebop, and a musician who deserves much of the credit for setting modern jazz’s high technical standards, was generally considered to be in steady decline after several mental health crises in the late 1940’s and early ’50’s. Powell had burst on the jazz scene as a 16 year-old […]
We’ve created a playlist to support the contentions we’ve made in our four-part post, “With apologies to Miles Davis“. As with all of our listening suggestions, you can click on the song title and you’ll be taken to an Amazon.com page where you can either listen to a sample, buy the individual song as an […]
Miles Davis’ great 1960’s quintet at Newport: (left to right) Wayne Shorter, Ron Carter, Miles, Tony Williams. (continued from part 3) The advances made in vertical improvisation exemplified by John Coltrane’s 1960 recording Giant Steps, the modal innovations that dominated jazz in the early to mid-1960s, and the move to free, atonal improvisation that Coltrane […]
Miles Davis in the studio recording the 1959 album “Kind of Blue”. From left: John Coltrane, Cannonball Adderley, Miles, Bill Evans. (continued from part 2) By the early ’50’s, and with the “Birth of the Cool” in his rear view mirror, Miles Davis descended into a five-year battle with heroin that not only dramatically reduced […]
(left) Charlie Parker and Miles Davis, 1947 and (right) Lennie Tristano’s band, about 1949. (continued from part 1) In 1948, Miles Davis began jamming with baritone saxophonist and arranger Gerry Mulligan, just freed from the Gene Krupa band, alto player Lee Konitz, late of Claude Thornhill’s Orchestra, and Thornhill’s arranger, Gil Evans. They formed the […]